Sahara Beck: Live at the Yonder Festival Speigeltent, Mary Valley, 27 November 2021 Sunshine Coast indie-pop artist Sahara Beck is a genre chameleon whose star is well and truly on the rise. Now managed by Secret Sounds, aka the folks behind Splendour in the Grass, Beck is poised to break into the mainstream consciousness after building up 8 […]
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Total Pace: Live at the Zoo, Fortitude Valley, 9 December 2022 Just another four-part Frankenband from Meanjin? No. With their powers combined, Branko Cosic (Tape/Off, Gold Stars), Luke Henery (Violent Soho), Simon Ridley (DZ Deathrays, Velociraptor) and Mathew Somers (I Heart Hiroshima) are TOTAL PACE. When they’re not chugging away at their own brand of DIY punk, they’re
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WHALEHOUSE & GUNK: Live at Netherworld, Fortitude Valley, 30 October 2022 This is episode 414 of Live Delay and we’re featuring two sets from two Meanjin punk rock legends -WHALEHOUSE and GUNK- both one word; all caps. This recording was taken at a special reunion Halloween party held in honour of GUNK on the 30th of October in 2022. WHALEHOUSE
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Alter Boy: Live at Yonder Festival Amphitheatre Stage, Mary Valley, 26 November 2021 This episode Live Delay has captured a spellbinding performance from Perth queerlectro pop band Alter Boy. A incredibly unique band -besides the nacreous sheen of oozing talent- Alter Boy identifies as a deaf or hard-of-hearing band, with three of their members identifying as such. Their darkly jubilant
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Fresco Kyoto: Live at the Black Bear Lodge, Fortitude Valley, 2 January 2020 Meanjin/Brisbane-based art-pop group Fresco Kyoto came about on the scene in 2017 with the release of their debut single ‘Fool Me Once’, since then they’ve picked up a record deal and released a steady stream of singles and EPs. Taking inspiration from acts like Mansionair, London Grammar,
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Sparkspitter Recorded by Branko Cosic. Mixed by Cameron Smith. Recorded at The Waiting Room, Brisbane on 12th of September, 2014. Created from the ashes of other Adelaide bands finding their feet around 2011, Sparkspitter was an experimental outlet for Thomas Capogreco & Rohan Goldsmith. Challenging themselves to create fully fleshed songs with lap steel guitar loops as a basis, Matt
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