Ep 184: Infinite Void; Screaming Females

Infinite Void


Recorded & Mixed by Harvey O’Sullivan
Recorded at Oxford Art Factory, Sydney, 17th February 2016.

Infinite Void’s name might have you thinking black metal, but the Melbourne quartet are firmly planted in atmospheric punk and post-punk, taking cues as much from the members’ past punk bands as from the smudged sonics of My Bloody Valentine, Joy Division and Pornography-era Cure.

They released their debut self-titled album through Poison City Records in 2012 and had Steven Smith from Scul Hazzards manning the desk for the sessions, and since them have released some very rare split 7” records to keep the ball rolling.

Screaming Females

160806screamingfemalesd164-165-beatphoto by Zo Damage

Engineered by Jeremy Smith
Recorded at PBS FM Studios, Melbourne, 8th August 2016.

Mixing equal parts Dinosaur Jr. and Sleater-Kinney, the Brunswick trio of Marissa Paternoster (guitar/vocals), Michael Abbate (bass), and Jarrett Dougherty (drums) strives to embody the spirit of indie rock in its purest form; Screaming Females book their own shows and self-released many of their own records to bring their guitar-driven rock to the people without compromise. In 2007 the band fired its opening shot, self-releasing its debut full-length, Baby Teeth. The band quickly followed up with its sophomore album, What If Someone Is Watching Their T.V.?, which was self-released and later reissued by Don Giovanni Records, with whom the band has enjoyed a good relationship. Between 2010 and 2012, Screaming Females released their fourth album, Castle Talk, and followed up with their fifth album, the Steve Albini-engineered Ugly, in 2012. The band teamed up with producer Matt Bayles to record its 2015 studio effort, Rose Mountain and embarked on a tour that saw them travel to Australia for the first time, from which the set you’re about to hear derives from.

Airing details: Originally via Zed Digital, 7-8pm, Sunday 6th of November 2016.

Show production and engineering: Branko Cosic.

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